Tuesday, June 13, 2017


Schrat - Bestimmung Raserei
Self-Released, 2009
Genre: Black Metal

1. Intro Abrechnung
2. Blutkatharsis
3. Reich des Schrats
4. Geist der Felsen
5. Erstickungstod
6. Steinernes Vermaechtnis
7. Bestimmung
8. Die Bestie

I wish I was about to regale everyone with tales of this great new band I found, but sadly this is not the album for that. Turns out their second album is where that whole aspect comes in. For now we have the debut full-length from Schrat, which the band self published. Now, I've never heard their demo and I can't compare the two, but if I ever track down a copy I'll listen and review it.

For now, let's just delve into the full length. I wish I had more positive things to say, but I don't have much. It's a fairly mediocre release by Black Metal standards. It has everything you expect and has some moments that reminisce of Bathory, but it is all only okay. The real problem is that nothing really grabs my attention. There's no fondness for the atmosphere the songs generate. "Erstrickungstod" has some good moments, so the band is capable of generating some interesting stuff, but for the most part this album falls quite short. The musicians behind the project seem to be quite competent and the production is pretty good, with a balance between audible and harsh. The vocals are a bit distorted in the mix though, but that's the only major issue I can see.

Overall this album is probably worth skipping unless you simply must have all the Schrat albums like I wanted. I can assure you the discography gets much stronger after this, but even though the debut wasn't all that memorable, it's not a bad starting point for a band.

Wednesday, May 31, 2017


Throane -  Derrière-nous, la lumière
Debemur-Morti Productions, 2016
Genre: Black Metal

1. Sortez vos lames, que nous perdions nos poings
2. Aussi féroces que nous repentons
3. Derrière-nous, la lumière
4. Un instant dans une torche
5. Contre terre
6. Nous blâmons la tempête de nous avoir laissés en plaies
7. A cette chute

Throane is a new project to hit the French scene, and strangely I missed out on it when it was first released and I'm only getting to this project nearly a year later. I'm disappointed in myself for missing this, because this album hits a lot of really excellent listening points for me. This is usually a genre of Black Metal where, for me, it has to be done just right and if it's not, I wind up disliking it.

Throane's debut album strikes a very careful balance between Ambient and very dissonant Black Metal. Playing with dissonance is fairly tricky business, especially in a way that makes me want to keep coming back for more, but Throane succeeds in leaps and bounds with this debut. In fact, my one and only complaint is that I wish this album was twice as long. It would really enhance that ambient and hypnotic effect generated by each track. As it is, this album only clocks in at about thirty minutes, which is far too short for a release that can launch its listeners into a trance.

"Derrière-nous, la lumière" pulls pages out of the books of Blut aus Nord's "MoRT" and some Deathspell Omega, while including some elements of Spektr for a more terrifying atmosphere. Mostly this album leans on "MoRT" in my opinion and really advances the ideas on that album to a far more pleasing conclusion. "Derrière-nous, la lumière" production wise is a very dense and suffocating album. Listening to this album you can just feel the weight of the music taking your breath away. The atmosphere is dark, convoluted, yet calming and entrancing at the same time. The vocals are very minimal, when they rear their ugly head, it is but a brief phrase in the greater work, but it really makes the attack of those moments all the more satisfying.

"Derrière-nous, la lumière" is an absolutely astounding debut release and I am glad to see it make the light of day with Debemur-Morti, because the art direction will prove important for this kind of project. While this debut has a really well done digipak release, I look forward to future albums where the art direction can be brought further. The one thing I worry about with a release like this is that it may be difficult to replicate. Where does the artist go from here that can breach new territory, while staying true to the overall foundation created here? Frankly, given the brevity of this release, I wouldn't mind something entirely similar, just so I can listen to them back to back in all it's sonic glory. We shall see though...


Cataplexy - Devangelight
Zero Dimensional Records, 2012
Genre: Black Metal

1. De Evangel Light
2. Whirl of Skuldlight
3. Recrmisoned Vestige
4. Celestial Arcane Epitaph
5. Sphereflection
6. Silvery Supplicant
7. Hydraulis of the Ether
8. Dysastral Paradigm
9. Lifelessdawn

After a four year wait we finally get into the second release from Cataplexy. Somehow "Devangelight" manages to surpass the debut, which is a very impressive feat. I will always love the debut for it's harnessing of the raw production of old, but the songwriting on "Devangelight" is quite a bit stronger than even the first.

I'm not sure how much he's helping the band, but on this album they are joined by the legendary Hakuja from Funeral Elegy. Some of the guitar passages remind me quite of bit of something I hear on his solo project, so either way the influence seems to be appearing. Cataplexy continue their journey down writing violent, yet somehow sorrowful compositions. This album really shows how much the band has harnessed that wall of sound style of Black Metal and manages to make the songs interesting with some really killer lead styled riffs. One of my favorite songs on here is "Recrimsoned Vestige", I just look forward to hearing that opening riff every time. The album consistently marches along these lines and there isn't a single bad track on here. The vocalist is actually quite impressive and he's only gotten better over the years. His work on "Lunar Eclipse" was impressive, albeit a little peaked in the recording process, like most of the instruments, here with better production we really get a feel for what he can do. He has these excellent long winded screams that I look forward to showing up in every song.

Given Cataplexy's track record, I'm sure it will be quite some time for them to release another album, but I will be eagerly awaiting for the follow-up to this. Since every release is stronger than the last. Again, while some may complain that this is pure Scandinavian Black Metal worship, without a hint of the strangeness Japanese music holds for us Westerners... the fact that Cataplexy seems to consistently outperform a lot of bands in the West has me rather okay with this. While I'd love to hear some Japanese elements thrown into their mix sometimes, I just can't complain when your riffs are just this good. "Devangelight" is an excellent album by all accounts and I look forward to the next release from this project!

Cataplexy - ...Lunar Eclipse, Chaos to the Ruin...
Bloodbath Records, 2008
Genre: Black Metal

1. Dawn of the Black Sun
2. Hideous Path of Hate from the Abyss
3. Under the Moonlight of Sorrow
4. Graces of Infidel Blood
5. Blazing Choir Under the Secrets of Hell
6. Burn the False Idols
7. Elegy of Rotten Angel
8. Desolate Winds from the Devastated Souls
9. Groan of Eternal Hate

It's taken an unreasonably long time for us to get to the Cataplexy debut full-length, but it was worth the wait... I think. I thought, for sure, a new release would come shortly after their EP, but here we are about five years later with a full-length finally in our hands from this band. I still think it took way too long for us to get here, but in the end I really love this album. It's actually an incredible release that heralds back to the glorious Black Metal days of old. Who would of thought this would come out of Japan?

If you miss everything about the mid-90's era of Black Metal then this is the album you've been looking for. Unlike a lot of bands that try to recapture the feel and atmosphere and somewhat fall short, I think Cataplexy actually really succeeds. From the production values, which are raw and harsh to the musical composition which is hateful and sorrowful all at the same time, we have quite the release on our hands. They're definitely drawing from the faster bands and pull a lot of influence from the likes of Mayhem and Marduk, I'm sure. Sometimes these lead guitar passages cut through the mix and we hear some really beautiful things. I really wish they had managed to find this sound a lot sooner, they would have been real monsters of the 90's with music this good. Like, I said though, I think it was worth the wait and I am really happy to see this band do so well with their debut.

If you truly miss the bygone era of Black Metal then see it recaptured and revisited here to near perfection. Some may gripe that "they've heard this before", but that is hardly cause for concern, because when someone writes music this good I simply can't complain. I find myself listening to this material fairly regularly, even years after I picked up this album.

Cataplexy - Fields of the Unlight
Self-Released, 2003
Genre: Black Metal

1. Through the Crimson Tears
2. Fields of the Unlight

After the release of their 1995 demo, which I don't have, Cataplexy disappeared from the world of metal. It might have been one of those cases of the early bands that release a few demo tapes then we never hear from them again, which happened quite often in the early 90's. However, fast forward to 2003, when Cataplexy had become a rather forgotten project, suddenly they return with this EP of two new songs. This EP was printed by the band and limited to 500 copies, of which I own #304.

Cataplexy's sound has been overhauled quite a bit. The musicians involved have clearly improved quite a bit, because now they perform a style of Black Metal more in the line of the violent and fast Scandinavian variety. This is certainly a major improvement over the likes of the "Teardrops" demo. Now they are writing songs that are both violent and have a certain level of that Black Metal atmosphere we all love. Some may complain that this borrows too much from the Scandinavian sound, but I'm fairly okay with that because Cataplexy manage to capture an excellent overall sound and they're good enough songwriters to make it worth our while. "Fields of the Unlight" is certainly the standout track on this two song EP, but I feel like Cataplexy is still trying to harness this musical change. They definitely have my attention more than ever before with these songs and I'll be interested in hearing what they produce next. Hopefully the project won't fall apart again.

Cataplexy - Teardrops Veiled Black Desire
Self-Released, 1994
Genre: Black Metal

1. Intro: Resurect the Ancient Memory
2. Under a Mournful Sky
3. When the Rise of the Moon
4. In Absentia Densus Foris
5. And Yet... (The Rain Continuously)

What was Japan doing the early 90's while Scandinavia was playing Black Metal? Basically, doing somewhat similar things. Cataplexy, like most Black Metal projects started off as Death Metal and while Sigh beat them to the punch with being one of the earliest Black Metal bands in Japan, Cataplexy is possibly a close second. I'm not sure though, I don't seem to follow Japanese Black Metal as much, but they have produced some real gems over the years. I'm not sure how many copies of this demo tape were released, but according to the booklet I have #269.

While many might expect a strange Japanese slant on the world of Black Metal, much like Sigh performs, Cataplexy stays fairly true to a more European sound. Like many bands in the early 90's, "Teardrops Veiled Black Desire" is another fairly lo-fi demo that is nigh unlistenable. The music, by today's standards is unimpressive. I think it's really cool to delve into backgrounds of different regions and listen to their early material. For some reason early Cradle of Filth comes to mind when I listen to this. Cataplexy has some faster thrashy sections, but they also bring in some slower nearly Doom level material, so that's why I'm get a bit of a "Principle of Evil Made Flesh" vibe from the demo. Even though that album came out in '94 as well, it's not unreasonable for people to get their hands on earlier Cradle of Filth demos.

Anyway, this demo is pretty standard fare as far as I'm concerned. It didn't really grab my attention, but it also wasn't awful. Maybe as Cataplexy builds their sound things will improve as the years go on, but I feel like the band is still in the beginning stages and sorting out their influences.

Tuesday, April 18, 2017

Nekrokrist SS

Nekrokrist SS - X-mas Ritual
Spread Evil Distribution, 2016
Genre: Black Metal

1. Itsemurha jouluaamuna
2. Renki

Well, this is an usual thing, two Nekrokrist SS releases in a year?! "X-mas" ritual was released on cassette and is limited to 88 copies. This tape comes with a pro booklet and dubbed tape with stickers. I'm actually surprised it's not hand-numbered. "Itsemurha jouluaamuna" begins with a sort of medieval folk sample, before launching into a scream where the song truly begins. It's probably one of the shortest Nekrokrist SS songs clocking in at under three minutes. However, it's a fast and catchy tune. "Renki" on the other hand is a slower more morose jaunt that has a bit of the older folk feel in the guitar arrangement. Unlike some of their long songs that start off slow and pick-up later, this song never does that, so just enjoy plodding arrangement. I'm not sure this is a must have in the Nekrokrist SS arrangement, but if you like collecting their material and hearing everything they put out then it's worth it.

Nekrokrist SS & Infamous Split
Hammerbund, 2016
Genre: Black Metal

Nekrokrist SS:
1. Lähtölaukaus
2. Antakaa Jo Kuolla
3. The Circle
4. Herrani Viha
5. Decadenza I
6. Decadenza II
7. Among these Cold Walls

Side Infamous: ...coming eventually...
Side Nekrokrist SS:

This year brings us an excellent split from Nekrokrist SS along with another project I really love Infamous. This was originally released on tape, but was later released on CD by Obscure Abhorrence. I have the CD edition (pictured above). Even though this is being released in 2016, these really aren't new Nekrokrist SS songs, since this was recorded way back in 2011, so this is more in line with the material we heard on the split with Nattfog. I do wonder how much material Nekrokrist SS is just sitting on and not releasing. Either way, once again this has some solid material on it and "Herrani Viha" has some of the more excellent riffs Nekrokrist SS has ever written! An absolute must have split.

Nekrokrist SS & Vöedtæmhtëhactått - I am the Chaos, the Abyss and the Gloom
Darker Than Black, 2015
Genre: Black Metal

1. Christ Promised Never to Return
2. I came to Call Sinners, but Not the Righteous
3. And He Said - Satan!
4. The Divine Blighter
Nekrokrist SS:
5. Viimeinen Rukous
6. Tuomiolla
7. Tappajan Laulu

Side: ...Vöedtæmhtëhactått...
Side: Nekrokrist SS

Starting with a scream and launching into the catchy riffing I've come to expect from Nekrokrist SS we begin our journey of three new songs. As usual we have the yearly split from this project and this time it's pressed into 12" vinyl similar to the split with Nattfog. This release is also limited to only 333 copies. As with the other Nekrokrist SS releases nothing has changed really and we simply get three more songs of their usual style, although I feel their compositions are getting stronger as the band continues to write new material. I feel like the songs have a more cohesive element to them than when the project first began and their blending of droning riffs with catchy riffs is becoming more and more seamless as they write more material. Nekrokrist SS is, basically, a mark of consistently well performed Black Metal for me and while some listeners may gripe about the lack of change over the years, I'm pretty happy with this approach! I hope they stay this way for many years to come, although it doesn't give me much to talk about when it comes to reviewing individual releases.

Förgjord & Nekrokrist SS Split
Hammer of Hate, 2014
Genre: Black Metal

1. Jättäkää minut korpeille (osa 1)
2. Kasketun maan laulu
3. Mieltensä sairastama
4. Kerpeikkari
Nekrokrist SS:
5. Musta viha
6. Tyhjyys
7. Hyljätty
8. Jättäkää minut korpeille (osa 1)

Side Förgjord: ...coming eventually...
Side Nekrokrist SS:

Now that we've got the full length out of the way we can return to our regularly scheduled split program! Nekrokrist SS has really hit a solid writing point and that continues with this split. "Musta viha" begins rather normally and nothing ear catching, but once we get a minute into the song we hit this exceptional riff sequence and the song really takes off. Easily one of the stronger Nekrokrist SS riffs in their catalog. Then we delve into the slower song "Tyhjyys", which doesn't pick up the pace until well into the song, but that's fine it has kind of an interesting contrast from the faster opening of their side. After this we delve into the lengthy dark and plodding "Hyljätty" which is an excellent closer to their side of the split. While it's not the usual fast paced hateful style, it's a little slower and has a lot more elements of melody in the song. This might create a bad contrast, but it really does work very well for their style and just like "Tyhjyys" the song does eventually pick up its tempo about half way through. Unfortunately, to me, nothing could match the majesty of that spectacular riff in "Musta viha", but the other two tracks didn't try to hit that mark, which was probably a good idea, because we can just simply enjoy them in their own right, instead of trying to compare them back to the opening song.

Nekrokrist SS - Der Todesking
Primitive Reaction, 2013
Genre: Black Metal

1. Perkeleestä Syntynyt
2. Crematory Hymn (Burn in Hell)
3. Satan Calls Your Name
4. Kuolontanssi
5. Vala
6. Kirous
7. Der Todesking

Finally we hear a new full length from Nekrokrist SS and it's everything I ever hoped it would be! Raw Black Metal doesn't get much better than this and "Der Todesking" is an absolute must have album in my book. From start to finish it's probably one of the finest albums recorded in this realm of Black Metal. If you've always been a fan of the Finnish sound and enjoy bands such as Horna or Behexen, then Nekrokrist SS' "Der Todesking" should land high on your list as a must have.

"Der Todesking" falls in a very similar vein as the material we heard on the split with Faagrim, only this time we get the full length experience I truly wanted to hear when that split was released. My one and only complaint is that this could have been one song longer to get us closer to that forty minute mark, rather than just squeaking over the thirty minute mark. Either way, I'm grateful for a full length and I find myself playing it regularly as one of my go to albums for the more raw style of Black Metal. It really does sit on a similar level to Horna's "Envataangs Eflos" or Behexen's "By the Blessing of Satan" although "Der Todesking" doesn't sound exactly like these projects. "Der Todesking", while not re-inventing the Black Metal wheel, manages to put together a series of extremely strong songs that really make the album stand apart from other bands in this genre. I think some people will be overly quick to dismiss this project since it sounds similar to the bands above and early Satanic Warmaster, but I manage to find enough difference in the way Nekrokrist SS approach the genre that I find it immensely well done. And then there's the quality of songwriting. Not every Black Metal clone can write like this, while there are hundreds that sound like this, there are very few who write like this and that's what sets them apart. Just listen to the riff that hits about three and half minutes into "Vala" and you will know what I'm talking about. That song hits the raw Black Metal sweet spot so perfectly.

So, if you like your Black Metal vicious, raw and harsh, filled with all the hatred Black Metal was meant to filled with then "Der Todesking" is an instant classic, in my opinion. As usual, I will continue to look forward to anything else that comes from this project. They have yet to let me down and I can't imagine them changing anytime soon and that is why "Der Todesking" will be in consideration for my top ten.

Nekrokrist SS & Faagrim - Strike of the Northern Legions
Darker Than Black, 2012
Genre: Black Metal

Nekrokrist SS:
1. Dawn of Purification
2. Liekki
3. Gates of Insanity
4. Through the Snow
5. Warriors of the Unlight
6. Comes Winter, Comes Sadness
7. Der Größte Bastard

Side Faagrim: ...coming eventually...
Side Nekrokrist SS:

I'm getting fairly accustomed to the yearly Nekrokrist SS release, but the split trend is only okay, I feel pretty ready for a new Nekrokrist SS full-length release. This split with Faagrim is in truly high order with both projects putting some great Black Metal into the release.

This split has some of the strongest Nekrokrist SS songs so far, they're extremely catchy yet viciously cold all at once. It's a perfect blend into their raw Black Metal style, which is why I am so ready to hear a full length now. The main reason is because three songs just isn't enough, I just want a solid forty or so minutes of this kind of material and I know the band can certainly deliver. While the music is not changing much, their overall songwriting structure has steadily been improving, so with each new release I enjoy it even more than the last and this split is no exception. Just listen to how excellent "Liekki" sounds!

Nattfog & Nekrokrist SS
Primitive Reaction, 2011
Genre: Black Metal

1. Yöni usvassa
2. Ancestral Echoes
3. Under the Cross of Woden
Nekrokrist SS:
4. Path of Depression
5. Gas Chambers, Crematory and Hell
6. Talviyössä

Side Nattfog: here
Side Nekrokrist SS:

Another year another split, but I'm usually always excited to hear new material from Nekrokrist SS and this time they teamed up with the mighty Nattfog. Nattfog is also an extremely excellent project and I highly recommend their material as well. This was released on 12" vinyl only and limited to 500 copies.

Nekrokrist hasn't changed, at all as you'd expect, but this split does have some nice features. "Path of Depression" and "Talviyössä" are all new songs and they sound very good, as you'd expect. "Gas Chambers, Crematory and Hell" is a re-recording from their demo and with this line-up and quality it really shows that the song was actually quite good and merely marred by very poor production and probably performance at that time. "Path of Depression" is our usual faster paced Black Metal, but the lengthy "Talviyössä" takes a much slower term. Predominantly a mid-paced track it has a very sorrowful feel to it as we dragged down this plodding path.

In the end we get three great songs from two great bands, and you can't go wrong with that. Half the time the splits only have one good band, but not in this case!

Four Chapters of Satanic Evil
Azermedoth Records, 2010
Genre: Black Metal

1. Battlefield
2. Deadly Riders
Nekrokrist SS:
3. Scars
4. Nekrokrist
Khaos Abyssi:
5. Into...
6. The True Signs
7. Dead Gods
8. Plague and Pest
Calvarium Funestus:
9. Kult ov Funestum Spiritus
10. Call of the Imperial Throne

Side Mystes: ...coming eventually...
Side Khaos Abyssi: ...coming eventually...
Side Calvarium Funestus: ...coming eventually...
Side Nekrokrist SS:

Participating in Finnish Black Metal just wouldn't be complete unless you get involved in a long string of split releases. This begins Nekrokrist SS' foray into the deluge of split releases that surround the Black Metal scene. I actually enjoy splits from time to time, but I'm not that fond of four way splits. I, personally, prefer two bands on a split, but here we have four. The only other band I've heard of on this split is Mystes and I quite enjoyed the material I heard from them.

Nekrokrist only offers up a couple songs for this, but things are a little different this time around. First off, the band has a full line-up now, so that is an interesting change. I wonder if the project will be more consistent in recording and releasing music. Another major change is that they tried to clean up the harsh production quite a bit. I think they've managed to strike a good balance between being absurdly harsh and just harsh enough to give your songs some nice chainsaw edge to them. Here we get one new song called "Scars" and it is quite an excellent song, picking up pretty closely to where the self-titled EP left off with the first three songs. The other track is a re-recording of "Nekrokrist," which first appeared on the demo from 2003. Cleaned up, this track actually sounds considerably better than the original tape.

Nekrokrist SS - Nekrokrist SS
Satan's Millennium Productions, 2009
Genre: Black Metal

1. Knife
2. Divine Light
3. There's No Place for You
4. Cremation
5. Cold and Black Grave

After waiting a couple years we have the pleasure of hearing a new Ep from Nekrokrist SS. I was hoping "Suicide" wasn't just a fluke in their discography and instead would indicate the new direction for the project. It really has! This self-titled release is spectacular. The first three songs are newer, written and recorded in 2007, while the last two date all the way back to 2003.

The first three songs have a more sorrowful feel to the riffing style. In many ways it's a bit more reminiscent of something Sargeist would do, or the way they tend to structure their riffs. Nekrokrist SS manages to have their own sound, relatively speaking, throughout this release. As you might expect things take a very drastic shift on the last two songs. The production is far worse then the opening three. The rawness actually works against the songs in this case, even though the riffs are still pretty good. I'd love to hear these songs re-recorded, everything just sounds so wish-washy as it pushes through this song with a weird wave-like feel to the overall sound and production. I'm kind of surprised they didn't bother to re-record the material so that it fit better with the first three songs, because now this isn't going to end on a very high note... but it's not like they could just put them at the beginning, because in most cases people wouldn't wait to discover the rest of the release, which is very good.

Ah well, it might not be the greatest thing, but I really did enjoy the opening three songs. If you're a fan of that Finnish style of raw Black Metal, then those are definitely worth hearing, the last two are only good if you really like extremely raw and poorly produced music, to the point where it's hard to hear what's going on.

Nekrokrist SS - Suicide
Primitive Reaction, 2007
Genre: Black Metal

1. Suicide is Only Way
2. Itsemurha
3. My Blood on Altar
4. The End is Disgusting Life
5. Let Churches Burn
6. Stench of the Burning Corpses
7. Waiting the Mass Destruction
8. Shoot Yourself

"Suicide" is the debut release from Nekrokrist SS and it does not come on the heels of their demo. The demo was originally released back in 2003. So, it's been quite a wait to get an album out of this project. Topically I feel like this project has changed quite a bit. Despite the "SS" in the name, this really isn't an NSBM project and the band has even said as much. So, don't get confused with the demo tape, I think they were going more for the standard fair celebration of mass death plus being offensive all in one go. At least, that's the aesthetic I was getting from the demo.

Now, onto the music. Compared to the demo this is a huge step up in quality. "Suicide" presents us with some very fine Finnish Black Metal, hitting all the right chords that make me love the music from this particular region of the world. The demo tape felt like it had more of a punkier edge to the songwriting, but "Suicide" has more of a Horna type of edge to the music. I much prefer the Horna way of things, so I feel like this project is certainly trending in the right direction if they keep this up! They have one moment that has that Punk feel in "Waiting the Mass Destruction" but the style is more subdued this time around.

All in all this is a surprising change from the demo, but it's a pleasant surprise on my end. They also managed to keep the ultra raw style of recording for this release and it worked with the style very well. Don't expect anything except raw hatred from this project. "Suicide" has great riffs and great harsh atmosphere, so I'm definitely interested in following this project to see where it takes them next.

Saturday, February 18, 2017


Sarkrista - Summoners of the Serpents Wrath
Purity Through Fire, 2017
Genre: Black Metal

1. Intro
2. The Lurking Giant
3. The Gathering of Blackest Shadows
4. Summoners of the Serpents Wrath
5. Ascending from the Deep
6. He, Who Liveth and Reigneth Forevermore
7. The Sea pt. 2 (My Cold Grave)
8. Black Devouring Flames
9. Rituals of Flames and Skulls

Sarkrista have locked themselves away for the past year be fairly silent when it comes to releasing music. Naturally this is because a full-length was looming and it is finally here. Staying away from releasing music as fast as they have has done the project some good and here we finally see the band start to step out of their tried and true composition ideas. Don't worry, that core Sargeist sound is still inherent in the underpinnings of the project, and I doubt that will ever be leaving anytime soon. But I feel that "Summoners of the Serpent's Wrath" delves into a bit more variation before and some outright experimentation with what that core sound can give us.

I think they have taken some serious time to create riffs that are of a higher quality than the previous releases. Either that or they've just gotten better at writing and maybe we'll see Sarkrista crank out material of this quality very fast in the future. Personally, as a songwriter, I prefer it when bands take time to curate their riffs and try to produce something of very high quality rather than just release material for the sake of releasing it. "Summoners of the Serpent's Wrath" feels like a well curated album and only chooses some of the highest quality music within the Sarkrista riff closet. In order to complement this, everything else had to step up as well. Here the drums are a bit more elaborate in arrangement than I remember in prior albums. There's a bit more flare to the arrangements making the drums stand out a little more than before. I'm really glad they balanced Revenant's vocals in the mix very well, because it really helps compliment the entire album perfectly. This is, especially, the case when it comes to songs like "The Sea pt. 2" which is probably one of the more experimental tracks on the album (for them). It features a slow plodding pace and even has some piano sections complimenting various parts of the song. Overall it creates for a very incredible listening experience and they did a wonderful job putting it together. However, my favorite song on the album has to be "He, Who Liveth and Reigneth Forever" which has some of the most intoxicating riffing around.

In the end this is an excellent album and this is probably going to be my go to Sarkrista album when I want to listen to this band. The stark improvements they've made all around has really put them on a whole new level. I only hope they can continue to maintain this quality form here and even build on it if that's even possible at this point. Definitely a must hear album for this year.

Sarkrista & Sad - Fury of the Doomsday Apostles
Metal Throne Productions, 2015
Genre: Black Metal

1. Ascending from the Urns
2. Behold Perdition!
3. Their Drowned Sanctuary
4. Still Death
5. Festing Over Your Dead Corpse
6. Through Times Immemorial

Side Sad: ...coming eventually...
Side Sarkrista:

I don't know what happened, but on this split I feel like Sarkrista have really stepped things up quite a bit. Every track, without exception, is really really well done. On the prior material, it was very much the same, but for whatever reason these three songs really feel like they hit way harder. The rhythms are more intoxicating than even before and they really did a spectacular job all around. The vocals are mixed into the music in a far more balanced fashion, so nothing ever overwhelms the mix and we simply sit in pure enjoyment of what Sarkrista has composed this time around. If this is any indicator of where Sarkrista's future music is going to be trending, I'll be pretty excited to hear what they have coming next.

Sarkrista - The Evil Incarnate
Purity Through Fire, 2015
Genre: Black Metal

1. Intro
2. Hollow of the Writhing Serpent
3. The Evil Incarnate
4. The Fury of Revenants
5. Blaze of Arrival

Sarkrista kick off 2015 with a new Ep pressed onto wax. They're also working with a new record label and this is on 12" vinyl limited to 300 copies. I was lucky enough to get a copy of this. The artwork for this release is something that really stood out to me. It's truly stunning material to look at and really fits the aesthetic of Sarkrista's sound.

You can expect more of the same, as much hasn't changed in the Sarkrista style since their foundation. I think they are experimenting more with production value than song arrangements. They almost have it perfect on this release, things aren't too harsh, but they're just harsh enough to give that raw Black Metal feeling, while still having production good enough that you can hear everything in a very balanced fashion.

At this point in time though, I wasn't as into the latest Sargeist album for some reason. It just didn't hold up against "Let the Devil In" for me, but now I'll be turning to bands like Sarkrista to get that new Sargeist fix when I want to hear a newer album in their style.

Sarkrista & Unhuman Disease - Those Who Preach Perdition
Immortal Frost Productions, 2014
Genre: Black Metal

1. Evoking the Terminal Curses
2. The Sea pt.1 (Rise of Leviathan)
Unhuman Disease:
3. Black Fog Shadows
4. Nocturnal Prayer

Side Unhuman Disease: ...coming eventually...
Side Sarkrista:

Sarkrista bring us, yet another split as they close out 2014. They bring out two more tracks from their style, and weirdly the production sits a little better in quality than the previous split. This still feel harsh and quite raw, but not as much as before. There isn't much to say beyond the two tracks here, but I do really like the song "The Sea" on here. This really stood out as a very solid Sarkrista track with great riffs all around. As usual if you like what you've heard from Sarkrista before, it will surely be just as enjoyable.

Sarkrista & Sielunvihollinen Split
Misanthropic Art Productions, 2014
Genre: Black Metal

1. My Eyes Turn Pure White
2. Diabolic Gathering
3. Ashen Woodland
4. Hurmepolku
5. Hulluuden Porteilla
6. Murheen Laakso

Side Sielunvihollinen: ...coming eventually...
Side Sarkrista:

With a quality release like "The Acheronian Worship" it didn't take Sarkrista long to fall into the split track, a time honored tradition in Black Metal. Their first foray into this format begins with teaming up with a great Finnish band Sielunvihollinen.

The first thing you'll hear on this release is the stark difference in production, or maybe just mastering. Everything sounds so much more harsh when compared with "The Acheronian Worship", you can hear things feel a bit more distorted in the mix, adding a sharper and far more piercing edge to the overall feel of the split. Perhaps this was done to meld with the Sielunvihollinen side a bit more seamlessly. Either way it took a couple second to shift gears with this release, but once settled in it sits comfortably as a harsher version of what we got on "The Acheronian Worship". Sarkrista certainly aren't breaking new ground, so if you enjoyed the debut, you'll enjoy three more tracks of their style. The harsher production value works well with their style and I didn't mind that extra degree of sharpness in their music.

Sarkrista - The Acheronian Worship
Misanthropic Art Productions, 2013
Genre: Black Metal

1. Introduction
2. Grim Satanic Vengeance
3. Funerals and Flaring Torches
4. Ruchless Winter
5. Messenger of Harm
6. Realm of Eternal Coldness
7. Wrath Incarnation
8. Black Clouds of Revelation

Sarkrista hit the ground running with their debut album "The Acheronian Worship". This fairly experienced band hits hard with their debut full-length, but as with most bands today they haven't really formed into their own unique sound. You can tell that Sarkrista is close to achieving this, but for now a portion of Black Metal fans may find the album too similar to other bands in the genre.

Despite the fact that Sarkrista originate in Germany, may will find their sound steeped in the Finnish style of Black Metal. For me, Sarkrista do blend the two regional sounds together, but they are certainly heavier on the Finnish style. For I hear influences such as Sargeist (the most prominent), Horna, and Satanic Warmaster in their sound the most. Whereas I don't really find a particularly distinct band to reference for Germany, other than the fact that some songs have that German feel to them like you hear in bands like Shores of Ladon or Schrat. If you like the bands I've referenced so far, then there stands a very good chance you will enjoy what "The Acheronian Worship" is giving to us, because they really take a page out of these bands' book and mix it all together on a single release.

The performance and production quality are all very well done. The production is, frankly, perfect for Black Metal. You can hear everything that is going on, and yet there is still a degree of rawness to the whole style giving it that really sharp edge that I love to hear in Black Metal. At times the vocals may overtake the mix, but Sarkrista do a much better job mixing their vocals than many other projects. I've kind of gotten used to the fact that in the majority of Black Metal projects the vocals will seemingly take over the mix, even though they really should sit balanced with the other instruments in my opinion. It also helps that Revenant is a solid vocalist, so even though moments overtake the mix, it's not overly annoying, but I am still sad to hear the guitars fall into the background sometimes.

So, there are some listeners that may walk away with a rather narrow view of the project, because there are people out there endlessly looking for pure originality, when that doesn't really exist, ah well. For me, I'm going to enjoy the release for what it is, well composed Black Metal. Because no matter how you look at it, these songs are well written and arranged. There's at least one extremely solid riff per song that really stands above the rest, so the album never gets boring in that regard. There's always something very good going on and I look forward to seeing where Sarkrista eventually take this style.