Saturday, November 22, 2014

Cabaret for Bereaved

Cabaret for Bereaved - Demo 95
Self-Released, 1995
Genre: Black Metal

1. Intro (Immortal Loyalness)
2. On Cold Wings
3. Ice Floe is Sinking
4. Seeds for Nothing
5. Candle Burns in Storm
6. Pahuuden Kuolema
7. King has Won
8. The Calling
9. Freezing Day
10. The Undead

I picked this up solely based on the fact that Gaamalzagoth performed vocals on this. I really didn't know what to expect from this, but I can't say this is really my style of Black Metal. Cabaret for Bereaved bring us ten songs heavily laden with synth, making this more of an Ambient Black Metal type of release. I wonder if there was any influence from the early Blut aus Nord realm, because some of these keyboard approaches seem similar.

The demo is definitely in the lo-fi spectrum of the genre, but the music isn't fast. In fact, the music is quite slow to mid-paced for the most part. It's actually quite poorly performed as well. There are missed hits and off-time parts with the drums. The guitar work sort of fumbles around and feels off at times. Sometimes the keyboards work and at other times they don't. There's a time in "Ice Floe is Sinking" where it's just keyboard and drums, which sounds very bad. I think the intent was a dark and brooding atmosphere, which is only high-lighted by the Doom styled pacing. But the poor instrumentation makes this nearly unlistenable. The attempt at a solo in "Pahuuden Kuolema", is just off-putting. "The Calling" is atrocious. It's an all Ambient styled track with mostly feedback and samples being played over and over again. It doesn't even make sense in the context of the rest of the music. Even Gaamalzagoth's vocal performance is a bit different. Granted, it does happen to fit the music. He sticks to a rather low-key performance with a more talking/rasp approach to the vocals. This is quite different from his intense wails during the Moonblood recordings.

I don't think I can recommend this demo to anyone. Unless you're extremely into that lo-fi Black Metal style and find sloppy instrumentation endearing? There are times when the style works, but it's not enough to really draw me in. Makes sense that this is a long forgotten demo from the early days. The main musician p. Mölsä doesn't seem to have gone on to do anything else after this, so that's another reason for this being lost to history.

Thursday, November 6, 2014

The Eye

The Eye - Supremacy
Velvet Music International, 1997
Genre: Atmospheric Black Metal

1. The Eternal Oath of Lie
2. The Land
3. The Call of a Thousand Souls
4. My Supremacy
5. Aidyl
6. The Purest Domination in Wisdom (The Eternal Eye)
7. Your Wickedness... (Bastard Son of Fear)
8. The Eye

This is one of the biggest blunders in my collecting years. I missed out on this release originally. This is a real shame because it truly would have shaped me musically, I believe. I didn't hear this project until around the early 2000's when I had discovered Blut aus Nord, but by then all the copies were gone and I was stuck with some mp3's I downloaded. It has certainly influenced me over the years and
I still considered this one of the finest recordings Vindsval has ever made. Luckily "Supremacy" has risen again with Debemur-Morti doing the release wonderful justice in 2013 (Pictured right). Far too long for a release of this caliber to stand silent in the shadows. They've given us a beautiful new cover with a wonderful layout. Far superior than what Candlelight gave Blut aus Nord with the re-releases of the first two albums, in my opinion anyway. Debemur-Morti's dedication to art is fairly well known throughout the scene, so it really is no surprise. The one and only complaint I could furnish is that the re-release did not include the "Normanniska" demo tape as a bonus.

"Supremacy" really does continue down the more atmospheric path founded by "Ultima Thulée", but "Supremacy" is just such a far more developed and mature piece of art. The blending of Ambient and Black Metal throughout is simply stunning. Every song has an incredible degree of majesty, which I usually wouldn't have associated with things having programmed drums. Even though Vindsval uses a very obvious drum program, and I have no doubt real drums would have made this album even more impressive, it doesn't take away from the beauty inherent in the music. In this regard "Supremacy" can hardly be described as an intense album, instead the pace of the music is far slower and sort of relies on lulling the listener into its atmosphere. This is a little different from what we first experienced with the "Normanniska" demo, which had some harsher, fast songs on there. This is probably why all of the tracks didn't make it on the full-length with a re-recording. I think this album really highlights how far Vindsval has come with respect to his ability to compose. It really makes me look forward to anything else he would do with this project.

Sadly between this albums release and re-release, the project has been entirely silent. I don't know if the re-release signals some sort of resurrection, but I really hope that Blut aus Nord's intense experimentation over the years doesn't play into anything that would change this projects concepts. I feel like heavy focus on this kind of plodding atmosphere is really at the heart of The Eye and I hope it remains that way, whatever the future may bring. Either way, this album, I consider to be a must have.

The Eye - Normanniska
Self-Released, 1996
Genre: Black Metal

1. Intro
2. Your Glory Beyond Our Dead
3. The Purest Domination in Wisdom (The Eternal Eye)
4. An Ancestral Journey in Your Blood

With "Memoria Vetusta" being released this year Vindsval has already turned his gaze onto a new project called The Eye. This is another demo tape, similar to Children of Mäani in the prior year, but musically very very different. "Normanniska" kind of follows a blended path of "Ultima Thulée" and "Memoria Vetusta". Unfortunately, I missed out on the original version of this, despite being able to find copies of the other demo tapes out there. This is probably one of the most sought after Vindsval side projects and is usually ranked up there as high as Blut aus Nord.

The music is absolutely wonderful. It has this wonderful blend between an Ambient quality with harsh Black Metal. I'm not sure it quite enters the realm of Atmospheric Black Metal at this time, but tracks like "The Purest Domination in Wisdom (The Eternal Eye)" really do transcend that border. However, "You Glory Beyond Our Dead" bear closer resemblance to a much more traditional Black Metal style, with a wonderfully harsh bent to it. I really like the direction of this music a lot more than Children of Mäani and I'm hoping The Eye develops into a little more for the future. Some tracks feel like a continuation of the "Ultima Thulée" style, since the "Memoria Vetusta" style was so different. So, if you liked the debut album of Blut aus Nord, I feel like that style is being further developed with this project.

The only bad part about this demo is that it is only a mere sixteen minutes in length. I really hope that there is more to come from this. If you're a Vindsval fan this is a must hear project. And even if you just like high quality Black Metal.

Children of Mäani

Children of Mäani - Demo
Velvet Music International, 1998
Genre: Black Metal

1. Tradition: The Birth
2. In the Middle of the Macrocosme - "Those Who are Called VAO"
3. Tiphareth... and Beams of Malchuth - "After the Five Ones"
4. Tradition: My Birth "Where is the Sky of the First?"

With Blut aus Nord standing silent since 1996, but having that incredible The Eye album to listen to in the prior year, I guess some interest in Vindsval's other material has surfaced. If you missed out on this demo from 1995, then it is finally released again, but on CD this time around. This has one of the silliest covers I've ever seen and the "new logo" looks way worse than the original logo on the tape. This really does hold rank for some of the worst album art I've ever seen. The interior is jut strange and the altered cover under the CD looks ridiculous. Luckily nothing has changed about the music, but an improved listening format!

The enhanced music quality really makes this far more enjoyable. Everything feels a lot more full compared to the original tape version. That outro of "In the Middle of the Macrocosme" really hits so much better this time around! While Children of Mäani may not be able to top The Eye, or even Blut aus Nord, I'm glad to see it isn't lost to realms of history in the original demo format. It is certainly a different feel of Black Metal, especially for 1995, but nonetheless quite enjoyable in the grand scheme of things. If you are a fan of Vindsval and interested in his early works, this is certainly not to be missed as well.

Children of Mäani - Demo
Self-Released, 1995
Genre: Black Metal

1. Tradition: The Birth
2. In the Middle of the Macrocosme - "Those Who are Called VAO"
3. Tiphareth... and Beams of Malchuth - "After the Five Ones"
4. Tradition: My Birth "Where is the Sky of the First?"

The same year Blut aus Nord's debut album was released, Vindsval had a demo for another project ready to go. Where "Ultima Thulée" had a very relaxed atmosphere, Children of Mäani seems to be a more intense and heavier project. This comes as a cassette demo tape, similar to Vlad's "Yggdrasil" in format with the same do-it-yourself kind of booklet art. There is a liner note that says "The Child of Mäani plays whatever he wants exclusively!" Which is probably a jab at the bands that state the genre they play, exclusively.

There are certainly similarities between the two projects, sometimes an atmospheric riff easily shows up in songs like "In the Middle of the Macrocosme" towards the end. However, this demo is far more technical than the material found on Blut aus Nord, which makes sense, because this is not supposed to really entrance the listeners, but instead music you pay rather close attention to. There are sections that are far heavier and even bear more Death Metal styled vocals, but the sections come off more related to a Death Doom Style, because they are not really on the level of brutality you'd find with Death Metal. The heavier riffing is more akin to the punishing depths of Doom Metal. The Black Metal aspects range from atmospheric to interesting technicality and bears some serious resemblance to what bands like Emperor have accomplished, but with a blending of the Blut aus Nord style.

I think it's a rather interesting demo, but I do find the Blut aus Nord style a bit more compelling for my tastes. Perhaps the production and tape quality make this a little less accessible in some ways, but the quality actually isn't that bad in the grand scheme of things. It is recorded just as well as the "Yggdrasil" demo. If you're a fan of what Vindsval has been producing lately then this is certainly worth hearing.

Tuesday, October 7, 2014

Top 10 of 2012

2012 was truly a halcyon year for Black Metal. The quality of music released was some of the highest quality I've ever heard. It truly outdid a lot of 2011 when I look back at what was released that year. While 2011 had some great releases, 2012 was simply an incredible year. As usual, I still made some tough choices. Sometimes I don't feel my choices hold up over time, but that is something I always struggle with when it comes to the later sections of the top ten lists. My first few choices seem to hold up over the years though and 2012 had a very clear choice that stood out immediately upon hearing it in greater detail. So here's the best material I purchased over the year.

10. Secrets of the Moon - Seven Bells

I'll admit, when I first heard Secrets of the Moon announced a new album, I wasn't that excited for it. I wasn't as into "Privilegium" as a follow-up to the mighty "Antithesis", so with line-up changes having happened, I didn't hold out much hope. I figured it would be, at least, a decent recording, maybe not the best. I was surprised to see it hit so high on my list this year, because "Seven Bells", for me, is the proper follow-up to "Antithesis". While not everything on hear was outstanding, the overlong Ambient piece during "Nyx" comes to mind, the majority of the album was very well done and I consider it worth getting.

9. Frostseele - PrækΩsmium

Review: here

Here we have a very outstanding newcomer to the Atmospheric Black Metal world. Hailing out Germany and I'm proud to say I was listening pretty early on to the actual release date of this album. Frostseele have really managed to capture that level of immersion that really captures the imagination. This is truly a wonderful beginning to a new project and hopefully they can keep releasing music of this quality in the years to come.

8. Wodensthrone - Curse

This was a new one for me, despite already having prior releases out there. Their latest album, though, far outweighs their prior releases for me. "Curse" is an ambitious album and covers a lot of amazing ground. If you like truly majestic sounding Black Metal, then Wodensthrone is a band you truly want to hear.

7. Grisâtre - Esthaetique

Sadly, blogger could not find videos on youtube for this album.

These last four choices were rather difficult to place, but I think I ultimately landed Grisâtre here. I really like this album in the Atmospheric branch of Black Metal, and it has reminiscent periods of Paysage d'Hiver due  to the wonderfully harsh production. This really can lend the album a rather colder atmosphere.

6. Eïs - Wetterkreuz

Review: here

I wasn't too surprised when I heard "Wetterkreuz." When I first heard it announced, I was vaguely sure this would hit the top ten unless something happened out of nowhere. After their album "Galeere" they had really launched themselves into a realm of writing that transcended a lot of other projects. They really advanced the sound of "Galeere" and deepened the textures even more, which makes this quite an astounding release.

5. Drudkh - Вічний оберт колеса

Drudkh really needs no introduction. As one of my favorite bands for many years, I figure they will usually hit my top 10 in the year something is released. Provided they stay away from the weird material they went after with "Handful of Stars", which was not a good album at all. Perhaps this puts me at some level of bias, but it is difficult when a band consistently writes music of this high quality.

4. Elderwind - Волшебство живой природы

Another newcomer to the genre. This time Elderwind hail out of Russia and if you, like me, have fallen in love with an earlier project called Walknut, then Elderwind is a must hear. They're different projects, sure, but Elderwind manages to, also, capture that vast and beautiful atmosphere that we heard on Walknut. While we all eagerly await a follow-up to that album, Elderwind, have decided to answer the call in just as magnificent as a fashion. Truly a must have album.

3. Der Weg einer Freiheit - Unstille

Review: here

It is not often you will see me ranking a Melodic Black Metal band so highly, since I usually don't go after that style as much as others, but here we are. I feel in love with the Der Weg einer Freiheit sound the first time I ever heard it and when I saw announcements of "Unstille" floating around the web, I was very excited to hear it. A follow-up to the "Agonie" EP was likely to be incredible, and the band certainly didn't disappoint. Everything down to the art direction is simply amazing on this album.

2. Marduk - Serpent Sermon

Review: here

Here's something I never thought was going to happen. Despite Marduk's increase in quality of the years I actually never thought I would rate an album of theirs even close to this highly. I feel like this album sounds far more like a Funeral Mist album than what Marduk have come to be known for over the years. "Serpent Sermon" has this dark and ugly atmosphere, whereas the prior albums focus more on intensity and pummeling a listener. This makes "Serpent Sermon" feel a lot more like the follow-up to "Maranatha" than "Wormwood". Either way the band has truly outdone themselves this time around and I am looking forward more than ever to what Marduk will be producing in the years to come. I was already sold with "Rom 5:12"... but "Serpent Sermon" pushes an envelope I never thought Marduk would breach.

1. Mgła - With Hearts Towards None

Review: here

This is the type of album that comes along very rarely. When I first heard this I knew there was nothing else out that could come close to topping this. This is the type of release that truly stands the test of time and changes the way we, as listeners, look at Black Metal. Throughout their career you could hear that Mgła was trending towards this moment and after "Groza" I think we all expected a good album from the project, but nothing of this caliber. After having seen Mgla live, my image of this release is only further enhanced. This is a release that I consider a must have and likely one of the best albums of all time.

What Death Metal did you buy in 2012?

The most notable material I got was Azarath's "Blasphemers' Maledictions", which was quite a stunning release. It has a rather new direction for the band and is seriously launching them to a whole new level. Gortal's "Daemonolith" was a great follow-up to their debut album. Just very good punishing Polish Death Metal. Masachist's album "Scorned" turns out to be what we've all wanted to hear as the follow-up to Decapitated's "The Negation". While I didn't find Masachist's debut as endearing, "Scorned" really stands out to me and I found it extremely well done. Sphere's "Homo Hereticus" is one of the more intense and heavy albums I picked up this year. I also purchased the obligatory releases from Grave and Unleashed. While I enjoyed the latest Unleashed, I don't seem to have ventured into the world of Grave much over the year.

Who else was up for consideration?

This year saw good releases from Anaal Nathrakh, Besatt, Borgne, Dark Fury, Grimness, Hellveto, Infinity, Lunar Aurora, LvxCælis, Medico Peste, Nattfog, Raventale, Reverence, Sektemtum, Spectral Lore, Szron, and Winterfylleth. A decent list if you just want to hear new material from bands you hadn't heard before.

Monday, October 6, 2014


Grondhaat - Humanity: The Flesh for Satan's Pigs
Ketzer Records, 2011
Genre: Black Metal

1. Fucking Slaves
2. Humanity: The Flesh for Satan's Pigs
3. The Last Dawn of Human Race
4. The Gate of Nanna (Beherit Cover)
5. Incantations of Dark Gates
6. The Blackest Blasphemy
7. All Bullets of War

I think this was a somewhat random purchase for me. A couple of my motivators was the fact that I really like Czech Black Metal and I think I noticed that Asura was a member of Trollech, and having a Lord Morbivod connection is never bad in my books. So, I picked this up not really knowing what to expect. What we got was a little mixed, but some decent tracks of traditional Black Metal.

The first three tracks are filled with wonderful guitar work done in the usual Czech fashion, drawing influence from the likes of Maniac Butcher and, naturally, Stiny Plamenu and Trollech. There are times that the work has a fairly Finnish feel to it at times. I guess the Beherit cover should come as no surprise then! The only complaint I have during this material is the vocal performance, which isn't particularly great, but it's not terrible either. The part that makes it a bit off putting is the fact that the vocals are very loud in the mix. They really overtake the music and Asura feels like doing the Arioch thing where he fills as much space as possible with vocals. It's quite unfortunate, because the music underneath is extremely good. Then for some reason "The Last Dawn of Human Race" has a very distinct Darkthrone influence, which feels very out of place with the previous guitar work. I think it even bears a resemblance to the more modern Darkthrone, which I, personally, don't like at all. It's fine if these musicians like that, but the placement feels very off putting after the prior three tracks.
This section sort of marks a turning point for the album and we delve deeper down that slow plodding Darkthrone hole, granted in a far more traditional Black Metal fashion like their middle career. There is attempt at infusing groove/catchiness into sections, but much of these slow sections seem to fall into Beherit fashioned writing, but not as much of a mess as the original. If you enjoy that Beherit and Darkthrone blend, you may find far more enjoyment out of this release than I did towards the end.

I just feel like I've sort of been lead astray from the beginning. What started off as some Black Metal I truly love ended up transforming into a totally different style of Black Metal towards the end. I can understand being influenced by multiple things, but with such stark differences and a clear line where it shifts this winds up feeling like two musical projects shoved together. Still, I'm sure there is a fanbase for the latter half of the album, it's just not me, because Grondhaat have certainly performed that style quite well. The only overarching complaint through all the tracks is the vocals need to be turned down.